The Guardian reports on a new study which has found that
The world of speculative fiction publishing is plagued by "structural, institutional, personal, universal" racism, according to a new report that found less than 2% of more than 2,000 SF stories published last year were by black writers.
The report, published by the magazine Fireside Fiction, states that just 38 of the 2,039 stories published in 63 magazines in 2015 were by black writers. With the bulk of the industry based in the US, more than half of all speculative fiction publications the report considered did not publish a single original story by a black author. "The probability that it is random chance that only 1.96% of published writers are black in a country where 13.2% of the population is black is 0.00000000000000000000000000000000000000000000000000000000000000000000000000000321%," says the report.
The editor of Fireside Fiction goes on to say...
"Fiction, we have a problem. We all know this. We do. We don't need numbers to see that, like everywhere in our society, marginalisation of black people is still a huge problem in publishing ... The entire system is built to benefit whiteness – and to ignore that is to bury your head in the flaming garbage heap of history."
(Score: 2, Informative) by Anonymous Coward on Saturday August 13 2016, @10:22AM
To adjust for the methodological flaws, as well as the fact that we don’t have access to submission-rate data concerning race and ethnicity either overall or by individual magazine, we used binomial distributions. The purpose of this was to find the probability that such numbers could be random — the chances that numbers like that could exist without biases in play (which could extend to biases that are literary in nature, such as story structure), systemic problems, and/or structural gaps. In the first binomial distribution we ran the data assuming that submission rates of black authors are equal to the proportion of the black population in the United States, which was 13.2% in 2015 (according to Census projections).
Translation: to adjust for the fact that we don't have facts we made shit up so that we could publish crap.