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posted by martyb on Sunday April 30 2017, @08:22PM   Printer-friendly
from the pleasure!=joy dept.

In 1985, Neil Postman observed an America imprisoned by its own need for amusement. He was, it turns out, extremely prescient.

[...] Many Americans get their news filtered through late-night comedy and their outrages filtered through Saturday Night Live. They—we—turn to memes to express both indignation and joy.

[...] Postman today is best remembered as a critic of television: That's the medium he directly blamed, in Amusing Ourselves to Death, for what he termed Americans' "vast descent into triviality," and the technology he saw as both the cause and the outcome of a culture that privileged entertainment above all else. But Postman was a critic of more than TV alone. He mistrusted entertainment, not as a situation but as a political tool; he worried that Americans' great capacity for distraction had compromised their ability to think, and to want, for themselves. He resented the tyranny of the lol. His great observation, and his great warning, was a newly relevant kind of bummer: There are dangers that can come with having too much fun.

In 1984, Americans took a look around at the world they had created for themselves and breathed a collective sigh of relief. The year George Orwell had appointed as the locus of his dark and only lightly fictionalized predictions—war, governmental manipulation, surveillance not just of actions, but of thoughts themselves—had brought with it, in reality, only the gentlest of dystopias. Sure, there was corporatism. Sure, there was communism. And yet, for most of the Americans living through that heady decade, 1984 had not, for all practical purposes, become Nineteen Eighty-Four. They surveyed themselves, and they congratulated themselves: They had escaped.

Or perhaps they hadn't. Postman opened Amusing Ourselves to Death with a nod to the year that had preceded it. He talked about the freedoms enjoyed by the Americans of 1984—cultural, commercial, political. And then he broke the bad news: They'd been measuring themselves according to the wrong dystopia. It wasn't Nineteen Eighty-Four that had the most to say about the America of the 1980s, but rather Aldous Huxley's Brave New World. "In Huxley's vision," Postman noted, "no Big Brother is required to deprive people of their autonomy, maturity, and history." Instead: "People will come to love their oppression, to adore the technologies that undo their capacities to think."

The vehicle of their oppression, in this case? Yep, the television. Which had, Postman argued, thoroughly insinuated itself on all elements of American life—and not just in the boob-tubed, couch-potatoed, the-average-American-watches-five-hours-of-television-a-day kind of way that is so familiar in anti-TV invectives, but in a way that was decidedly more intimate.

https://www.theatlantic.com/entertainment/archive/2017/04/are-we-having-too-much-fun/523143/

Are we having tooooo much fun ?


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  • (Score: 1, Informative) by Anonymous Coward on Sunday April 30 2017, @11:39PM

    by Anonymous Coward on Sunday April 30 2017, @11:39PM (#502048)

    Plain old soap and water takes care of that.
    ...and people were making their own soap from fireplace ashes and fat going back many centuries.
    It doesn't require the intercession of a megacorporation and its whiz-bang product.
    ...and where I buy soap, I can get 3 no-name bars for the same price as the megacorporation's 2-bar or 1-bar offerings.

    I largely stopped paying attention to brand names (and ads) as soon as I left my parent's home.
    Paying attention to Madison Avenue's efforts to convince you that commodity items are somehow notably different from each other is for suckers.
    ...and did you know that the first products that got advertising campaigns were cigarettes?
    Again: suckers.

    -- OriginalOwner_ [soylentnews.org]

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