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posted by Fnord666 on Saturday November 04 2017, @02:07AM   Printer-friendly
from the sufficiently-broad-definitions dept.

D'oh!

To me, it looked like a child's crude attempt at a mosaic. About a dozen small square tiles of different colours. Glued to the wall in a geometric design vaguely resembling a face with two square eyes.

It stood out in the otherwise empty and dingy Paris flat. Once my home, I was moving back in, after nearly 20 years away. My tenants, three young single men, were showing me round before they left.

"What's that?" I asked, pointing at the cluster of tiles.

"That's by Invader," my tenant replied. "He's a street artist. He's like a French Banksy."

I quite liked Banksy, but the young man must have seen that I didn't appear overly impressed by his French counterpart.

"You must leave this," he said earnestly. "One day it will be worth a lot of money."

Being British, I nodded politely - but inwardly I chortled at the notion that a few tiles stuck on a bedroom wall could ever be considered a work of art.

[...] It was bigger, but otherwise similar to the one I'd unceremoniously stripped out of my flat.

Invader was a global phenomenon, famous in New York, Hong Kong, London, and of course Paris.

Then came the real blow. To my horror, I learned that one of his works had sold for more than €200,000 (£178,000; $233,000).

So, I had this guy named Claude staying in my place who painted a picture on the wall...what was his name, dear? Oh, right, Monet. But I wanted the room painted fuchsia so I told the painters to get rid of it.


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  • (Score: 2) by HiThere on Saturday November 04 2017, @05:42PM (1 child)

    by HiThere (866) Subscriber Badge on Saturday November 04 2017, @05:42PM (#592224) Journal

    I have no idea about Banksy, but you both underrate and don't understand Picasso. That said, I don't really understand him, and I don't really like him, but the idea that everyone should like every artist is ... to be charitable, stupid.

    Now if you'd criticized Andy Warhol I might have agreed. He's vastly overrated, and but he was making a comment on modern tastes in art that most people don't really appreciate.

    In a way it's like styles in programming. There really is a place for functional programming, and Object Oriented Programming can definitely be overdone, but you need to study the particular style to really understand what it's about. I tend to concentrate on procedural programming in an Object Oriented context. This means I like languages like D and C++. (Well, not really. C++ has become a garbage dump. But a selected subset of C++.) And I find languages like Python, Ruby, and Java to be acceptable. And I don't like Erlang or Scheme (I feel entities need changeable state, though not necessarily changes in externally observable state). But this is a matter of both taste and the particular set of problems I work on (which interact).

    So when someone comes along and says "C is the only good programming language" I want to tell him to go back to coding in assembler (since just about nobody uses hex anymore for writing programs...but if they did...). And I understand that there are people who *believe* in Scheme, or Lisp, or OCaML, or Haskell, or ... and they they may have valid reasons in their context.

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  • (Score: 2) by hendrikboom on Sunday November 05 2017, @01:34AM

    by hendrikboom (1125) Subscriber Badge on Sunday November 05 2017, @01:34AM (#592333) Homepage Journal

    Scheme does allow changes in state. But the Scheme proselytizers are using Scheme as a vehicle to explain functional programming, which it is also good at.

    Look for the functions with exclamation marks in their names. Those are the state-changers.