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The World Socialist Web Site reports
The binational and bilingual classical radio station XLNC1, which broadcast on 104.9 FM, had its last day on the air yesterday. The station, whose broadcast area covered the regions of southern San Diego County, Tijuana, and northern Baja California, announced on February 9 that it would no longer broadcast due a lack of funding.
The station was unique in that it was one the few in the world that was both binational and bilingual. Its tower was located in Baja California, and the station was known for announcing composers and titles in both Spanish and English, often using one language to introduce a piece and the other language when the piece ended. The station will maintain streaming via their online services, but radio listeners in the region will no longer be able to tune into 104.9 FM.
XLNC1 was founded in 1998 by Victor Diaz initially as an Internet radio station. In 2000, it began broadcasting at 90.7 FM. In 2004, the station nearly shut down due to signal and financial problems, and eventually moved to 104.9 FM in 2008.
Diaz stated that he created the station to educate audiences in both Mexico and the United States about classical music and its mission was "to make great music accessible to everyone." Following Diaz's death in 2004, his wife Martha Barba kept the underfunded station afloat, often with personal funds.
During its 20 years of operation, commercial-free classical music has been played on XLNC1 24 hours a day, seven days a week. The wide-ranging programming includes the most popular melodies in classical music each weekday morning, the "Top 400 Hits of the Last 400 Years," and weekly broadcasts of the New York Philharmonic, as well as the San Francisco Opera during its season.
Nightly Gala Concerts are known for their diversity. For instance, this week alone, "The Greatest Video Game Music," performed by the London Philharmonic Orchestra, will follow "Music by Nikolai Myaskovsky" performed by the USSR Radio Symphony Orchestra.
"This is a great loss for both the community of San Diego and Tijuana," XLNC1 owner Martha Barba told the WSWS. "XLNC1's significance was to unify both the United States and Mexico by erasing borders with classical music. We hoped to better the relationship between the community of San Diego and Tijuana by bringing them together with music. We also hoped to teach future generations the importance of classical music and inspire them to pursue their passions in music and the creative arts.
(Score: 2) by canopic jug on Monday March 05 2018, @07:38PM
No idea what you're talking about with paywalls - none of the DAB receivers that I've seen has any kind of mechanism for receiving anything other than whatever's broadcast, so I don't know how you'd even implement a paywall.
Ok. Two things may be causing confusion for me with that, beyond the simple passage of time since I last looked. One is probably something I mis-heard / mis-read in regards to reception when they were first rolling out DAB where I was at the time. There was a big push for satellite radio at the same time and that costs. A lot of time has passed and I probably mixed the two. The other was that there was some discussion about an Audio Protection Flag [everycrsreport.com] (APF) also known as "audio flag" to enforce digital restrictions on the DAB broadcasts. That certainly has costs. However, a lot of time has passed and I don't know the current status of the APF.
Digging, DAB by itself requires no additional subscriptions [tech.ebu.ch]. However, the broadcaster, or now called a service provider, for carriage may be higher. It's hard to get a neutral overview of the pros and cons. And if the APF went into production then it will cost the listener. It seems there are many interests with a dog in this fight.
Money is not free speech. Elections should not be auctions.