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posted by Fnord666 on Tuesday August 07 2018, @01:58PM   Printer-friendly
from the under-the-sea dept.

Hydrus VR Records Cinema-Quality 8K Virtual Reality Videos Underwater

If you love oceanic videography or just want to experience deep sea diving without getting wet, you're going to love Hydrus VR, a submersible 8K virtual reality video system designed for professional filmmakers. The unit uses a total of 10 cameras — eight in a horizontal circle plus two vertical — to capture 8K, 4K, or stereoscopic 4K imagery, notably with impressive low light capabilities.

Developed by Marine Imaging Technology (MI Tech), the system looks like a large metal can ringed by lens bumps. Weighing 75 pounds with neutral salt water buoyancy, it's depth rated for 300 meter submersion, so it can be connected to a metal control arm or underwater robots, depending on the filmmaker's needs.

Inside the can are Sony ultra-high sensitivity UMC-S3CA cameras equipped with SLR Magic lenses, plus enough storage capacity and battery life to record continuously for two hours. A subsea control module enables the recording time to be expanded to eight hours. Users can remotely monitor nine of the cameras in real time during shooting.

Sony's camera sensors enable the system to capture video at a minimum illumination level of 0.004 lux (ISO 409,600), which is especially important when recording in places without their own lighting sources — a challenge that increases video noise and grain. While the sensors have a normal ISO range of 100–102,400, the four times lower "expandable" ISO gives filmmakers the option to accept additional noise where necessary to capture an underwater scene with particularly poor illumination.

James Cameron ponders reshooting Avatar 2 entirely underwater.

Film speed.

Also at Engadget.


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  • (Score: 0) by Anonymous Coward on Wednesday August 08 2018, @07:47PM

    by Anonymous Coward on Wednesday August 08 2018, @07:47PM (#718955)

    This is super old hat. Have these people never been to Siggraph? Point Grey Research had their bumblebee like a decade ago at >4k, stereovision with depth data in the video stream, etc. and others have done similar stuff since. Is the big deal waterproofing? Because I thought that has been done as well! Is it... total pressure maybe? Or....??

    I just can't see how this is new, apart from filmmakers deciding they want to use it, because the far OTHER side of the production from the live recording - the consumption, ie. having 4K displays or VR or spherical - has enough traction to establish a consumer market.

    So the news is "4K and immersive viewing has enough penetration to warrant moviemaker investment."

    Yay?