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The Renaissance anatomist Andreas Vesalius's De humani corporis fabrica ('On the fabric of the human body') is a foundational work of medicine in the West. Its more than 200 woodcuts revolutionized how people pictured the human body, flayed and cut to reveal musculature, nerves, organs and bones. Even now, 475 years after it was first published, the bold images of skeletons and skinless 'muscle men' in sinuous poses (by illustrator Jan Steven van Calcar) beguile.
More than 700 copies survive from the 1543 and 1555 editions, which Vesalius supervised. Of these, roughly two-thirds contain comments in the margins, bizarre doodles, and coloured-in and even defaced images, as we reveal in our book The Fabrica of Andreas Vesalius. Early readers, on evidence, studied Vesalius's treatise diligently, yet had no compunction about scribbling in a hugely expensive volume.
Looking deeper, the marginalia tell two stories. One is that some found the images baffling, and attempted to clarify them in innovative ways. Another is that the pious found the figures' necessary nudity scandalous, and felt impelled to weigh in with ink and scissors. Our study of the reactions of hundreds of readers has taught us that medical communities do not always adopt innovative solutions quickly, even when they are presented in such an elegant format as the Fabrica. It takes time to get used to novelty. And we have learnt that even the most ingenious scientific minds can fail to predict how political and religious institutions will respond to their work.
Source: https://www.nature.com/articles/d41586-018-05941-0
(Score: 0) by Anonymous Coward on Friday August 24 2018, @08:36PM (1 child)
(Score: 1, Disagree) by Anonymous Coward on Friday August 24 2018, @08:57PM
Don't donate to the catholic church. Unless you approve of priests raping alter-boys and such, and you want to pay them to continue to do so. It's not a few isolated cases like the church tells you.