When Vivendi SA took over Universal Music Group in 2000, the industry was riding high on bumper sales of CDs, though the investment soon soured as illegal downloads surged. CD revenue plunged by two-thirds over the next decade, and by the early 2010s, unloading Universal would’ve been a tough sell; who would pay a premium for a company whose main product—pop songs—was widely available for free? But today, Vivendi is considering the sale of a stake in Universal that could value the label at more than $25 billion.
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The rebound can be traced to the same boogeyman that almost killed the business in the first place: the internet. These days, music fans have largely shifted from illegal downloads to paid streaming platforms such as Spotify, Apple Music, Amazon Prime, and Pandora, which generally charge $5 to $10 a month for unlimited access to millions of songs.
Have record labels, like zombies, really returned from the dead?
(Score: 4, Informative) by rigrig on Wednesday February 06 2019, @10:11PM (2 children)
I prefer to buy my music from Bandcamp [bandcamp.com], they pay out a decent rate to artists, while I still get to avoid the hassle of dealing with plastic discs.
(A most annoying experience I've recently had was when a band was not online, so I bought a physical CD at their concert... and couldn't get my computer to read it. So I had to go find a torrent...)
No one remembers the singer.
(Score: 2) by krishnoid on Wednesday February 06 2019, @10:14PM
You should have complained to them. The least they should do is send you a replacement CD (and know that their fans can't play/rip their music on their computer).
(Score: 0) by Anonymous Coward on Wednesday February 06 2019, @10:51PM
Best thing about bandcamp for me is that I can find music I'm actually interested in. The megacorps aren't putting out any 80s style synthpop instrumental music these days, but there's lots of it on bandcamp.