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posted by Fnord666 on Tuesday April 28 2020, @09:41AM   Printer-friendly
from the not-too-hot dept.

Here's why "baking" damaged reel-to-reel tapes renders them playable again:

Reel-to-reel tapes are experiencing a resurgence of interest among audio buffs, but they are prone to degradation, which has been a topic of active research for many years. It's well known that applying heat can often reverse the damage sufficiently to enable playback, usually by baking the tapes in an oven. Now scientists at the US Library of Congress [(LOC)] have determined precisely why this method seems to work, presenting their findings earlier this month on the American Chemical Society's SciMeetings online platform.

Project leader Andrew Davis is a polymer chemist who works in the LOC's preservation research and testing division. The LOC's mission is to ensure its collections continue to be accessible to the public, either in their original or reformatted mediums. The R&D division is responsible for providing the scientific groundwork for that mission, similar to how the Smithsonian Institute employs research scientists to maintain its collections.

"We span everything from simple analytical tests, like determining the kind of ink used on paper, to testing all building and construction materials, and ensuring the stickers on the barcodes don't damage books," Davis told Ars.

Davis emphasizes that the audiotape collection is well-maintained and tapes are not literally decaying on the shelves as I type; he works to ensure that they remain in good condition. While the LOC continues to digitize its vast collection, there is still a large number of tapes in the archives that are still in their original format. They are simply obscure enough that they might only be digitized if the LOC receives a request to listen to them.

Even for those with a digital copy, preserving the originals as long as possible is still important. "It's not impossible that the digitized version might disappear, might get corrupted, or might become inaccessible 10 to 20 years from now," Davis said. "If you have that physical object, that's always something you can come back and re-listen to, or reprocess, if the need arises."


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  • (Score: 3, Funny) by DannyB on Tuesday April 28 2020, @04:52PM (3 children)

    by DannyB (5839) Subscriber Badge on Tuesday April 28 2020, @04:52PM (#987895) Journal

    Convert all the audio tapes to digital format.

    mp3

    for good quality kick the bit rate up to 96 kbps.

    --
    The lower I set my standards the more accomplishments I have.
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  • (Score: 1) by anubi on Wednesday April 29 2020, @01:54AM

    by anubi (2828) on Wednesday April 29 2020, @01:54AM (#988080) Journal

    If we make it Public Domain, the Good Stuff will be with us forever. The works of the Masters will not fade into Oblivion. The works of Mozart and Beethoven will live as long as people are here who value their contributions. DRM will only sentence the work to encrypted oblivion. As have so many softwares before them .

    --
    "Prove all things; hold fast that which is good." [KJV: I Thessalonians 5:21]
  • (Score: 2, Insightful) by Anonymous Coward on Wednesday April 29 2020, @08:53AM (1 child)

    by Anonymous Coward on Wednesday April 29 2020, @08:53AM (#988132)

    Always use FLAC for remastering, which is essentially what they are doing. Mp3 is lossy.

    • (Score: 2) by DannyB on Wednesday April 29 2020, @02:35PM

      by DannyB (5839) Subscriber Badge on Wednesday April 29 2020, @02:35PM (#988192) Journal

      I didn't use no-sarcasm tags.

      --
      The lower I set my standards the more accomplishments I have.