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As reported in The Economist, scientists at the University of London have analyzed fifty years of pop music, and have used statistical techniques to identify three musical "revolutions" of lasting impact.
These revolutions do all correspond with times musical critics would have said change was happening (classic rock, new wave, and hip-hop respectively), but this analysis suggests other apparent novelties, such as the punk of the 1970s, were not the revolutions that their fans might like to believe.
From the article (well worth reading):
They used Last.fm, a music-streaming service, to collect 30-second clips from 17,094 songs (86% of the total) that were (on the Billboard) chart between 1960 and 2010. Then they attacked each clip with sonic analysis and statistics.
They found that they could extract what they describe as “topics” from the music. These were coherent harmonic and timbral themes which were either present in or absent from a clip. Harmonic topics, of which there were eight, captured classes of chord change, or their absence (eg, “dominant 7th-chord changes” and “major chords without changes”). Timbral topics, of which there were also eight, were things like “drums, aggressive, percussive” and “female voice, melodic, vocal.”
The comment thread below the article is also highly recommended, and the dismissal of punk is certainly egregious.
The evolution of popular music: USA 1960–2010, published by the Royal Society, is found here.
(Score: 2) by sjames on Monday May 18 2015, @12:20AM
The real issue is that very little punk got anywhere near a chart (and mostly didn't want to), so it was left out of their analysis entirely. The few songs that did chart were more 'approachable' and so mainstream sounding.
As you point out, it's influence came later but only after it passed through other genre.