| Title | Isaac Asimov Mulls “How do People get New Ideas?” | |
| Date | Tuesday October 21 2014, @10:32PM | |
| Author | azrael | |
| Topic | ||
| from the how-ideas-get-new-people dept. | ||
Isaac Asimov was one of the great sci-fi writers of the 20th century. So naturally, at the dawn of the space age, the military wanted to tap his brain. In 1959 he was approached by ARPA (now known as DARPA) to "think outside of the box" about how ideas are formed. His brief work for the organization has never before been published.
Asimov took a few meetings with ARPA and Allied Research Associates in Boston, but ultimately decided against long term involvement with the organizations. Asimov was apparently afraid that any access to classified military material would limit his freedom of expression. And rightly so, since it would have no doubt hampered his ability to publish fiction freely. However, Asimov did produce a single paper for the organization that has never been published until today.
Arthur Obermayer, a friend of the Isaac Asimov, writes that he recently rediscovered an unpublished essay by Asimov written in 1959 while cleaning out some old files that is "as broadly relevant today as when he wrote it. It describes not only the creative process and the nature of creative people but also the kind of environment that promotes creativity."
Some excerpts from Asimov's essay, which is well worth reading in its entirety:
Presumably, the process of creativity, whatever it is, is essentially the same in all its branches and varieties, so that the evolution of a new art form, a new gadget, a new scientific principle, all involve common factors. It is only afterward that a new idea seems reasonable. What is needed is not only people with a good background in a particular field, but also people capable of making a connection between item 1 and item 2 which might not ordinarily seem connected. To begin with, it usually seems unreasonable. It seems the height of unreason to suppose the earth was round instead of flat, or that it moved instead of the sun, or that objects required a force to stop them when in motion, instead of a force to keep them moving, and so on.
A person willing to fly in the face of reason, authority, and common sense must be a person of considerable self-assurance. Since he occurs only rarely, he must seem eccentric (in at least that respect) to the rest of us. A person eccentric in one respect is often eccentric in others. Probably more inhibiting than anything else is a feeling of responsibility. The great ideas of the ages have come from people who weren’t paid to have great ideas, but were paid to be teachers or patent clerks or petty officials, or were not paid at all. The great ideas came as side issues.
My feeling is that as far as creativity is concerned, isolation is required. The creative person is, in any case, continually working at it. His mind is shuffling his information at all times, even when he is not conscious of it. The presence of others can only inhibit this process, since creation is embarrassing. For every new good idea you have, there are a hundred, ten thousand foolish ones, which you naturally do not care to display.
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