Stories
Slash Boxes
Comments

SoylentNews is people

posted by CoolHand on Wednesday August 17 2016, @05:41PM   Printer-friendly

This review contains spoilers.

I thought I'd got a remaindered, 1000 page, hardback book, from a prominent author, at an absolute bargain price because the publisher made a typo on the cover. Unfortunately, that typo is deliberate. It was made by one of the characters in the book and gets propagated widely in malware.

I read this book to the end so that I could provide a fair review for SoylentNews but I really wish that I hadn't. At around the 75% mark, I wanted to abandon the book. Around the 95% mark, I was more interested in my bookmark than the book itself. The problem is that the book is too detailed and yet not detailed enough. The plot flips from a semi-autobiographical character to a dodgy Scottish accountant for the Russian Mafia to a needlessly exotic Black, Welsh, lesser-known contemporary of Osama bin Laden. Internal motive is rarely explained and therefore Welsh's Islamic subjugation of another needlessly exotic character makes her seem like a really irritating Mary Sue when it should have been a highly researched study of cultural belief.

Until reading What ISIS Really Wants, I thought the book would have benefited highly from Mary Sue being killed in the first half. Either way, it may be beneficial to read this book while referring to an atlas. It certainly seems to be written that way.

[More...]

Other reviews note the comic relief. This made me think "What comic relief?" Then I remembered the rivalry between a snob and a hack who provide a superfluous backstory for an inconsistent online game which adds very little to the plot. The snob, when he is able, has his email translated into a language of his own devising, written onto vellum and delivered on a velvet cushion. Unfortunately, Right Ho, Jeeves by P.G. Wodehouse (published in 1934) has superior observations about telecommunications and doesn't explain its Noodle Incident in full.

One seemingly outrageous section of the book involves a siege and building collapse. However, subsequent events in Paris made this a case of life imitating art. Unfortunately, this occurs in one of a series of exotic locations reminiscent of a James Bond film. (Quantum of Solace springs to mind but SPECTRE also fits.)

The plot isn't resolved in a satisfactory manner and an epilog doesn't help. Every bad guy dies. Every good guy lives. A character with dubious morals receives an injury which forces reform. What happens to the mafia guys? Who cares because it was just a device to get to the jihadists.

Three people are credited in the book as providing expertise for ships, guns and geography. Unfortunately, due to the repetition of "gunwales", "clip" and "talus", and the lack of editing thereof, it seems more like Neal Stephenson collected on three bets. This is the overall problem with the work. Light editing of a literary great has destroyed the value. Applying a firmer process between author and editor would have been far more beneficial.

Neal Stephenson's early novel, Zodiac, is preferable to REAMDE and this is generally regarded as inferior to Snow Crash, The Diamond Age and Cryptonomicon. On this basis, REAMDE is probably the worst Neal Stephenson novel ever published. Publishers, William Morrow and Atlantic Books, should be ashamed.


Original Submission

 
This discussion has been archived. No new comments can be posted.
Display Options Threshold/Breakthrough Mark All as Read Mark All as Unread
The Fine Print: The following comments are owned by whoever posted them. We are not responsible for them in any way.
  • (Score: 2) by VLM on Wednesday August 17 2016, @07:57PM

    by VLM (445) on Wednesday August 17 2016, @07:57PM (#389270)

    District 9

    I watched that and got the impression that ET and the X-files TV show mated and produced an action/gore flick. It was mostly a special effects demo reel although there was some story in there somewhere.

    I'm just saying the sci fi skin was extremely thinly applied. Slap on some castles and you'd have a fantasy epic, give the aliens sharp teeth and it would be a chicks vampire movie, etc.

    It was a movie with a very thinly applied sci fi skin. Not really a sci fi movie that happened to be a fill-in-the-blank movie.

    Starting Score:    1  point
    Karma-Bonus Modifier   +1  

    Total Score:   2  
  • (Score: 4, Insightful) by edIII on Thursday August 18 2016, @12:25AM

    by edIII (791) on Thursday August 18 2016, @12:25AM (#389396)

    You know, I have to disagree.

    The lack of English for the alien, and Copley's ability to still understand, turned the film into art piece as well as sci-fi. It was about his metamorphosis, in a literal Kafka-esque way. We saw him change from the antagonist to the protagonist, while being the protagonist during the whole affair. The aliens were always thought to be weirdly inferior, but were simply unprogrammed. The alien he deals with is in fact the only surviving crew member that stills possesses sophisticated intellect, as evidenced by him teaching his offspring. Having written off the rest of his race as unprogrammable, he spends the entire time hiding from humans and plotting to regain control over the ship and to leave. By the end of the movie, we understand the humans to be bigoted and cruel, and the aliens to be child like and refugees.

    It was gritty and full of gore, but there was an actual story there. Admittedly, more drama than sci-fi. If you think that is gory, watch Copley's new movie Hardcore Henry.

    --
    Technically, lunchtime is at any moment. It's just a wave function.
    • (Score: 2) by VLM on Friday August 19 2016, @12:22PM

      by VLM (445) on Friday August 19 2016, @12:22PM (#390037)

      Its interesting that I agree with your analysis of disagreement completely. Its an interesting story. HOWEVER its not inherently sci fi, the sci fi part is extremely superficially applied. Could have been watercolored with any semi-genocidal "world war" in history from semi-prehistory to the Romans vs the Barbarians to the Crusades (that would be an interesting reskin). To obvious 20th century examples, maybe Japanese internment camps vs the local townies. Extremely soft sci fi.

      Also its sad that WRT quantity of gore you pretty much got 90% of the interesting part of the story in a paragraph and most of the movie was just filler, well we can't release this as a 5 minute youtube video even though thats all we gots so heres an hour or two of pointless gore around about 5 minutes of actual good story.

      To take you Kafka metamorphosis example to an extreme, it would be like calling a pr0n flick Kafka-esque if the first five minutes of "plot" had the actress reading the book and the rest of the flick was an hour of XXX sex. Thats not "really" a Kafka movie its a pr0n flick. Not that there's anything wrong with either...