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posted by Fnord666 on Thursday October 12 2017, @08:56AM   Printer-friendly
from the boldly-go dept.

Phoenix666 and looorg have both written in with stories about 'Star Trek: Discovery':

'Star Trek: Discovery' Producers: Be Patient With Us

The Fine Article contains spoilers for those who haven't seen the show:

The lightness and easygoing chemistry among the "Discovery" cast present a stark contrast with the characters of "Discovery." In the first few episodes, the show has turned Burnham into a shunned mutineer, introduced a suspicious skipper in Capt. Gabriel Lorca (Jason Isaacs) and given us an arrogant and snappy scientist in Lt. Paul Stamets (Anthony Rapp).
star-trek-discovery-starfleet

It's the darkness of the characters and the background, which is set amid a war with the Klingons, as well as potentially continuity-bending aspects like Burnham being the adoptive daughter of Sarek, Spock's dad, that have some longtime Trekkies nervous.

If you're among those worried about the changes brought on by "Discovery," the producers have some advice for you: Just wait a little bit.

"We are canon," executive producer Alex Kurtzman said in an interview Saturday. "You'll have to be patient with us."

Kurtzman addressed the notion that the show would be grittier, assuring fans that the core themes of Star Trek remain.

Is it Game of Thrones in Space?

Windows into the Future

So this is a sure sign of the apocalypse. Windows will still be around in 2256 according to Star Trek. Guess we have to wait for that year of the Linux desktop for a few hundred more years.

https://www.theverge.com/tldr/2017/10/3/16412372/star-trek-discovery-cbs-windows-code-command-line


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  • (Score: 5, Insightful) by rleigh on Thursday October 12 2017, @05:51PM

    by rleigh (4887) on Thursday October 12 2017, @05:51PM (#581241) Homepage

    I would argue that DS9 also fits this mould, but with a difference. TOS and TNG were set squarely in the federation, a quasi-utopia with occasional interaction with other species. DS9 sets the same people in a different context: a distant outpost in the aftermath of a war where people on both sides of the conflict have to live with their history and its influence on their present and future, and where material needs and money are still a reality. It's easy to be "good" in a utopia. DS9 often constrasts the two conditions, and what has been gained and lost by both, and how other cultures with different social norms interact with it; while different I really liked it, and I think it's got even better with age. It allowed them to explore material which would otherwise have been difficult (religion, damagoguery), yet still was ultimately aspirational, about seeing the best of humanity even in bad circumstances.

    This has been done by others as well. Take Ian M. Banks "Culture" novels. Like Trek, the Culture meta-civilisation is super advanced, and they live in a utopia with all material needs taken care of. But stories about perfect people in perfect worlds aren't intrinsically very interesting. So each of his novels looks at the Culture from different perspectives, to give insights into them which would otherwise not be apparent. This includes primitive species (Inversions), vastly more advanced races (Excession), developing species and co-civilisations (Matter, Surface Detail, The Hydrogen Sonata), enemy civilisations (Consider Phlebas, Look to Windward, Player of Games) and cultures which develop along different lines (Against a Dark Background). Superbly done, and it also reveals the dark side of utopia and meddling with other civilisations even with the best of intentions, which is touched on a little by Trek, but not to the same extent.

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