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canopic jug [soylentnews.org] writes:

As the new year starts, Duke University's Center for the Study of the Public Domain reminds us that works from 1926 ascend to public domain [duke.edu], and become available for use by any and all in any manner they may wish. There is also a lot of recorded music starting to enter the public domain, as an estimated 400,000 sound recordings from before 1923 hit the scene. Most of them music recordings are salvaged from very fragile 78 RPM platters using multiple methods.

In 2022, the public domain will welcome a lot of “firsts”: the first Winnie-the-Pooh book from A. A. Milne, the first published novels from Ernest Hemingway and William Faulkner, the first books of poems from Langston Hughes and Dorothy Parker. What’s more, for the first time ever, thanks to a 2018 law called the Music Modernization Act, a special category of works—sound recordings—will finally begin to join other works in the public domain. On January 1 2022, the gates will open for all of the recordings that have been waiting in the wings. Decades of recordings made from the advent of sound recording technology through the end of 1922—estimated at some 400,000 works—will be open for legal reuse.

Why celebrate the public domain? When works go into the public domain, they can legally be shared, without permission or fee. That is something Winnie-the-Pooh would appreciate. Community theaters can screen the films. Youth orchestras can perform the music publicly, without paying licensing fees. Online repositories such as the Internet Archive [archive.org], HathiTrust [hathitrust.org], and Google Books [google.com] can make works fully available online. This helps enable access to cultural materials that might otherwise be lost to history. 1926 was a long time ago. The vast majority of works from 1926 are out of circulation. When they enter the public domain in 2022, anyone can rescue them from obscurity and make them available, where we can all discover, enjoy, and breathe new life into them.

The public domain is also a wellspring for creativity. The whole point of copyright is to promote creativity, and the public domain plays a central role in doing so. Copyright law gives authors important rights that encourage creativity and distribution—this is a very good thing. But it also ensures that those rights last for a “limited time,” so that when they expire, works go into the public domain, where future authors can legally build on the past—reimagining the books, making them into films, adapting the songs and movies. That’s a good thing too! As explained in a New York Times editorial:

When a work enters the public domain it means the public can afford to use it freely, to give it new currency . . . [public domain works] are an essential part of every artist’s sustenance, of every person’s sustenance. 3 

See also, What Will Enter the Public Domain in 2022? A festive countdown [publicdomainreview.org] which, were it not blocked by javascript, would highlight a selection of what has become available.

Previously:
(2021) Public Domain Day in the USA: Works from 1925 are Open to All! [soylentnews.org]
(2020) January 1, 2020 is Public Domain Day: Works From 1924 Are Open to All! [soylentnews.org]
(2018) Public Domain Day is Coming [soylentnews.org]
(2014) Happy Public Domain Day: Here are the Works that Copyright Extension Stole From You in 2015 [soylentnews.org]
and more ...

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